Charivari Detroit Celebrates 10 Years 

Choice Remixes On Yore’s “Nite Dreams”

Charivari Detroit Gears Up For Tenth Year

From Chicago House To Detroit Techno

Exploring Anthology XII with Alex Pro Mix

Anthology XVII | A Complete Sonic Universe

Modern Music Tips | Eventide SplitEQ

Modern Music Tips | Eventide Tverb

Modern Music Tips | The Eventide H949 Harmonizer®

Eventide SplitEQ | A New Era in Equalization

Black Octopus Sound | Leviathan IV 

A Few Minutes with Scanner: Pursuing Immersive Sound | Roland Articles

Modern Music Tips | The Eventide Instant Flanger

The 17 Best Backpacks for Touring Musicians in 2021

Generate PolySynth v1.2 Update | Video

Newfangled Audio Generate v1.2 Update | Text

Theoretical Certainty LP (Track By Track) | Attack Magazine

How to Get the Nile Rodgers Chic Funk Sound

Composing A Song With Waves OVox: Penelope Antena

On Tour With Janelle Monae and FOH Amanda Davis

Artificial Intelligence And Music

Lollapalooza 2019 Gets LIVE with Waves Plugins

Craft Deep, Articulate Sub-Bass with Waves Submarine

Inside Abbey Road Studio Three

Mix Music in Abbey Road From Your Bedroom With This New Waves Plugin

Is Selling Samples a Viable Career?

Waves Audio Presents Submarine Subharmonic Generator

How Sudan Archives Blends Violin and Trap Beats

The Genesis Of Synthesis: Why The Roland Juno Is The Greatest Synthesizer Of All Time

Eventide Developers Discuss Their Contributions To The Effects Processing Powerhouse

Synthesis Pioneer Cameron Jones Talks History and Making A New Synclavier

The Art Of Contemporary Synthesis with Arturia’s Baptiste Le Goff

Juana Molina on ’80s Synths, David Byrne, and Her Writing Process

Native Instruments NKS: Building A More Open Ecosystem

Dangerous Music’s Todd Mariana Discusses Sustainable Product Design

DJ Rap on the Realities of the Modern Music Business

Mastery Over Marketing | An Interview With Patrice Rushen

Haz Mat Live Manipulates Vocals with the Roland System-8, VT-4, and TR-8S

Get The Drum Sounds Of Chess Records | Reverb Studio Sampled Sounds

Jonathan Shanes on the Importance of Sonic Texture | Making Music for Films & TV

Reverb’s Favorite Articles and Videos of 2018

Our Favorite Music Software Releases of 2018

The Synth Sounds of Bruno Mars: “Finesse,” “24K Magic,” and “Uptown Funk”
Ableton Loop 2018 Highlights: Making Music in the Modern World
Resynthesize Samples with Arturia Synclavier V2 | Reverb Software Pick With Tim K
Make a Beat with Splice’s Jay Dee Sample Pack and You Could Win an MPC
Manipulate Vocals with iZotope Nectar 3 | Software Pick With Penelope Antena

How to Choose the Right Plugin in a Crowded Market

Get the Drum Sounds of FAME Studios | Studio Sampled Sounds

Digging Is Fundamental | Interview with Zernell Gillie

Saturation Shootout | Comparing 10 Tape Emulation Plugins

Modded Roland TR-909 Rhythm Composer Sample Pack | Reverb Software Launch

Electric Rhythm | The History of the Drum Machine

Eventide Releases the New SP2016 Reverb Plugin | Reverb Software Pick
Recreating Dmitri Shostakovich’s “Piano Concerto No. 2” With Music Software
Bitwig Releases Studio 2.4, Featuring Reverb’s Claude Young Sample Pack
Get the Drums Sounds of Stax Records | Reverb’s Studio Sampled Sounds

The Synth Sounds Of Donna Summer’s “I Feel Love”

Claude Young’s Detroit Sound Science Vol. 2: Vintage Synth Sounds

Recreating Claude Debussy’s “La Mer” Using Music Software

The Synth Sounds Of Stand Back By Stevie Nicks

Softube Weiss DS1-MK3 | Reverb Software Pick with Anthony Nicholson

The Synth Sounds Of It’s My Life By Talk Talk 

The Syntronik J-60 Soft Synth | Reverb Software Pick

Producing a Track with Adam Pickrell | Reverb Software Pick

The Synth Sounds Of Enjoy The Silence By Depeche Mode

Get the Drum Sounds of Motown | Reverb Launches Studio Sampled Sounds Drum Series

Alexander Burke on Taking Direction from Non-Musicians | Making Music for Films & TV

The Synth Sounds Of Africa By Toto

Recreating Bernard Herrmann’s Score from Hitchcock’s “Psycho” Using Music Software

XILS-Lab PolyM Synthesizer | Reverb Software Pick With CPEN

Claude Young’s Detroit Sound Science Sample Series | Reverb Software Launch

Waves Grand Rhapsody Piano | Reverb Software Pick

Gregory Jenkins on the Oddest Scene He’s Ever Scored | Making Music for Films & TV

Hexachords’ Richard Portelli on the Orb Composer AI Music Software | Reverb Software Pick

 Propellerhead Releases Its Europa Synth as a Standalone Plugin

Tim K on the Essential Skill Sets of a Media Composer | Making Music for Films & TV

10 Plugin Creators Share Their Favorite Plugins They Didn’t Make

iZotope VocalSynth 2 | Reverb Software Pick With Penelope Antena

The Best Music Software on Reverb Right Now

AudioThing Outer Space Tape Echo | Reverb Software Pick

The Best Music Software on Reverb Right Now

The Synth Sounds Of 1999 By Prince

The Synth Sounds Of Joy And Pain By Maze Feat. Frankie Beverly

Eventide Updates Its Blackhole Reverb Plugin | Reverb Software Pick

The Best Music Software on Reverb Right Now

The Synth Sounds Of Into The Groove By Madonna

The Synth Sounds Of Jump By Van Halen

The Synth Sounds Of Everybody Wants To Rule The World By Tears For Fears

The Synth Sounds Of I Can’t Go For That (No Can Do) By Hall & Oates

The Synth Sounds Of This Must Be the Place (Naive Melody) By Talking Heads

The Process, Episode 2: Haz Mat’s Live Detroit Techno Setup

Black Asteroid on Lessons From Prince and Visually Inspired Songwriting

The Process, Episode 4: Powers Pleasant Live Remixing with the Roland DJ-505

The Process, Episode 3: Fast Eddie Plays Classics on the Roland DJ-808

The Process, Episode 1: Kimbra’s Sampling and Synthesis Magic

The Upside Down Reverse Record Trick: DJ Tricks with Claude Young Series

The Best Music Software Highlights of the New Year on Reverb

The Synth Sounds Of In The Air Tonight By Phil Collins

10 Boutique Plugin Designers You Should Know

Fifty Years Of Hits With The Newly Launched Arturia V Collection 6

Little Dragon On Bringing a Human Touch to Electronic Pop

Claude Young On Using Software to Emulate MPCs, SP12s, and Other Classic Hardware Sounds

Drab Majesty Talks Chorus Pedals, Casio Synths, and the Selfless Act of Songwriting

Making A Beat with an MPC2000XL, Synths, and a Drum Machine

Ableton Releases Live 10 | Hear Our Favorite New Features

What’s New In iZotope Ozone 8 and Neutron 2

Hear the Beat We Made with Propellerhead’s Newly Launched Reason 10

Demoing the Pianos and Keys Collection by Waves Audio

Making a Beat with an MPC2000XL

Virtual Instrument Shootout | Exploring 7 Classic Keyboards and Their Software Counterparts

The Synth Sounds Of Blade Runner 

Stagecraft Software’s Aaron Leese on the Reverb Exclusive Infinity Synth

From The Bomb Squad to Prophets of Rage: Chuck D on 30 Years of Production

On Stage with The Weeknd: A Look at the Current Touring Rig

A Guitarist’s Guide to Ableton Live

Jean–Michel Jarre On His Current Synth and Software Picks

Using Ableton Push 2 Like a Keyboard with JNTHN STEIN

Production Techniques and Tools with Marian Hill

Moon Boots on Synths, Soundcloud, and the Debut Full–Length

Roland Revives D-50 Synth with D-05 Boutique Module

Shootout: Fulltone OCD vs its IK Multimedia AmpliTube Module

Reverb LP Chicago House Golden Era | Second Wave Artists 1990 – 2005