Charivari Detroit Celebrates 10 Years
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Charivari Detroit Gears Up For Tenth Year
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On Tour With Janelle Monae and FOH Amanda Davis
Artificial Intelligence And Music
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Inside Abbey Road Studio Three
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How Sudan Archives Blends Violin and Trap Beats
The Genesis Of Synthesis: Why The Roland Juno Is The Greatest Synthesizer Of All Time
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The Art Of Contemporary Synthesis with Arturia’s Baptiste Le Goff
Juana Molina on ’80s Synths, David Byrne, and Her Writing Process
Native Instruments NKS: Building A More Open Ecosystem
Dangerous Music’s Todd Mariana Discusses Sustainable Product Design
DJ Rap on the Realities of the Modern Music Business
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Haz Mat Live Manipulates Vocals with the Roland System-8, VT-4, and TR-8S
Get The Drum Sounds Of Chess Records | Reverb Studio Sampled Sounds
Jonathan Shanes on the Importance of Sonic Texture | Making Music for Films & TV
Reverb’s Favorite Articles and Videos of 2018
Our Favorite Music Software Releases of 2018
The Synth Sounds of Bruno Mars: “Finesse,” “24K Magic,” and “Uptown Funk”
Ableton Loop 2018 Highlights: Making Music in the Modern World
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Make a Beat with Splice’s Jay Dee Sample Pack and You Could Win an MPC
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How to Choose the Right Plugin in a Crowded Market
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Digging Is Fundamental | Interview with Zernell Gillie
Saturation Shootout | Comparing 10 Tape Emulation Plugins
Modded Roland TR-909 Rhythm Composer Sample Pack | Reverb Software Launch
Electric Rhythm | The History of the Drum Machine
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Recreating Dmitri Shostakovich’s “Piano Concerto No. 2” With Music Software
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The Synth Sounds Of Donna Summer’s “I Feel Love”
Claude Young’s Detroit Sound Science Vol. 2: Vintage Synth Sounds
Recreating Claude Debussy’s “La Mer” Using Music Software
The Synth Sounds Of Stand Back By Stevie Nicks
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The Synth Sounds Of It’s My Life By Talk Talk

The Syntronik J-60 Soft Synth | Reverb Software Pick

Producing a Track with Adam Pickrell | Reverb Software Pick

The Synth Sounds Of Enjoy The Silence By Depeche Mode

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Alexander Burke on Taking Direction from Non-Musicians | Making Music for Films & TV

The Synth Sounds Of Africa By Toto

Recreating Bernard Herrmann’s Score from Hitchcock’s “Psycho” Using Music Software

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Claude Young’s Detroit Sound Science Sample Series | Reverb Software Launch

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Gregory Jenkins on the Oddest Scene He’s Ever Scored | Making Music for Films & TV

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Propellerhead Releases Its Europa Synth as a Standalone Plugin

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10 Plugin Creators Share Their Favorite Plugins They Didn’t Make

iZotope VocalSynth 2 | Reverb Software Pick With Penelope Antena

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The Synth Sounds Of 1999 By Prince

The Synth Sounds Of Joy And Pain By Maze Feat. Frankie Beverly

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The Synth Sounds Of Into The Groove By Madonna

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The Synth Sounds Of I Can’t Go For That (No Can Do) By Hall & Oates

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The Process, Episode 2: Haz Mat’s Live Detroit Techno Setup

Black Asteroid on Lessons From Prince and Visually Inspired Songwriting

The Process, Episode 4: Powers Pleasant Live Remixing with the Roland DJ-505

The Process, Episode 3: Fast Eddie Plays Classics on the Roland DJ-808

The Process, Episode 1: Kimbra’s Sampling and Synthesis Magic

The Upside Down Reverse Record Trick: DJ Tricks with Claude Young Series

The Best Music Software Highlights of the New Year on Reverb

The Synth Sounds Of In The Air Tonight By Phil Collins

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Fifty Years Of Hits With The Newly Launched Arturia V Collection 6

Little Dragon On Bringing a Human Touch to Electronic Pop

Claude Young On Using Software to Emulate MPCs, SP12s, and Other Classic Hardware Sounds

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Making a Beat with an MPC2000XL

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The Synth Sounds Of Blade Runner

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From The Bomb Squad to Prophets of Rage: Chuck D on 30 Years of Production

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Reverb LP Chicago House Golden Era | Second Wave Artists 1990 – 2005






























































